Recent Departmental Publications

Listed below are citations for publications and recordings of UNC Chapel Hill Music Department faculty, graduate students, and alumni which are held in the Music Library. Citations are displayed for the most recent four years only.  Reviews of works by UNC authors are listed under the author’s name rather than reviewer’s name. While we do not claim that this is a complete list, we have tried to be as comprehensive as possible within these parameters. Periodical articles and reviews are listed under the year the issue actually appeared. Any additions or corrections may be sent to Diane Steinhaus, Music Librarian for Public Service.


2017 || 2016 || 2015 || 2014


2017

Bartig, Kevin (Ph.D. 2008). “Commentary and Observations on Le sacre in Russia: An Overview.” The Rite of Spring at 100. Ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef. Indiana University Press, 2017, pp. 181-188 [ML410 .S932 R5 2017]

Brannon, Samuel J (Ph.D. 2016). Review of Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. By Kate van Orden. New York: Oxford University Press, 2015. [ML112 .V34 2015 & Online Full TextNotes: Quarterly Journal of the Music Library Association 74/1 (September 2017), pp.69-71 [Full Text]

Cusick, Suzanne G (Ph.D. 1975). “Musicology, Performativity, Acoustemology.” Theorizing Sound Writing. Ed. by Deborah Kapchan. Wesleyan University Press, 2017, pp. 25-45 [ML3797 .T46 2017]

Ebright, Ryan (Ph.D. 2014). “My Answer to What Music Theatre Can Be”: Iconoclasm and Entrepreneurship in Steve Reich and Beryl Korot’s The Cave” American Music 35.1 (Spring 2017): 29-50 [Full Text]

Fauser, Annegret. “Le sacre du printemps: A Ballet for Paris.” The Rite of Spring at 100. Ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef. Indiana University Press, 2017, pp. 83-97 [ML410 .S932 R5 2017]

Garcia, David F. Review of Machito and His Afro-Cubans. Selected Transcriptions. Ed. by Paul Austerlitz and Jere Laukkanen. Middleton, WI: American Musicological Society, 2016 [M2.3.U6 R4 v.78 v.78Notes: Quarterly Journal of the Music Library Association 73/4 (June 2017), pp. 777-781 [Full Text]

Katz, Mark. “The Case for Hip-Hop Diplomacy.” American Music Review. Vol. XLVII, no.2 (Spring 2017). Full Text

Laurance, Emily (Ph.D. 2003). Review of The History of the Erard Piano and Harp in Letters and Documents, 1785–1959. Edited by Robert Adelson, Alain Roudier, Jenny Nex, Laure Barthel, and Michel Foussard, 2015. [ML404 .H57 2015 v.1 & v.2Notes: Quarterly Journal of the Music Library Association 73/3 (January 2017), pp. 559-561 [Full Text]

McCoy, Charlie. with Travis D. Stimeling (Ph.D. 2007). Fifty Cents and a Box Top: The Creative Life of Nashville Session Musician Charlie McCoy. [ML419 .M355 A3 2017] Morgantown: West Virginia University Press, 2017.

Mantz, Stephen (M.A. 1994). Review of Sourcebook for Research in Music. By Allen Scott. [ML113 .S46 2015Notes: Quarterly Journal of the Music Library Association 73/3 (March 2017), pp. 565-567 [Full Text]

Neal, Jocelyn R. “Whither the Two-Step: Country Dance Rewrites its Musical Lineage.” The Oxford Handbook of Country Music. Ed. Travis Stimeling. Oxford: Oxford University Press, 2017, pp. 439-460 [Full Text]

Nosow, Robert (Ph.D. 1992). Review of I Kyrie di Tr93. Edited by Antonio Chemotti, 2014 [M2019.2 .K95 2014Notes: Quarterly Journal of the Music Library Association 73/3 (March 2017), pp. 587-591 [Full Text]

Proksch, Brian (Ph.D. 2006). Review of Beethoven’s Symphonies: An Artistic Vision. By Lewis Lockwood. New York: W. W. Norton, 2015. [ML410.B42 L62 2015Notes: Quarterly Journal of the Music Library Association 74/1 (September 2017), pp. 100-102 [Full Text] 

Reef, John (M.A. 2006) and Christy Keele. “An Interview wit Composer Vladimir Tarnopolski.” The Rite of Spring at 100. Ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef. Indiana University Press, 2017, pp. 279-282 [ML410 .S932 R5 2017]

Robin, William (Ph.D. 2016). “Formalizing a ‘Purely Acoustic’ Musical Objectivity: Another Look at a 1915 Interview with Stravinsky.” The Rite of Spring at 100. Ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef. Indiana University Press, 2017, pp. 138-145 [ML410 .S932 R5 2017]

Severine Neff. “How Not to Hear Le sacre du printemps? Schoenberg’s Theories.” The Rite of Spring at 100. Ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef. Indiana University Press, 2017, pp. 304-330 [ML410 .S932 R5 2017]

Sewright, Kathleen, (Ph.D. 2008). Review of The Ferrell-Vogüé Machaut Manuscript by Guillaume de Machaut, 2 volumes, 2014 [ ML96.4.G85 F4 2014 v.1 & v.2Notes: Quarterly Journal of the Music Library Association 73/3 (March 2017), pp. 584-587 [Full Text]

_____. Review of Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart. Ed. by Anna Zayaruznaya, Bonnie J. Blackburn, Stanley Boorman, 2015 [ML55 .P625 2015]. Notes: Quarterly Journal of the Music Library Association 73/3 (March 2017), pp. 540-544 [Full Text

Shadle, Douglas W. Orchestrating the Nation The Nineteenth-Century American Symphonic Enterprise. NY:Oxford University Press, 2016 [ML 1255 .S53 2016] Reviewed by Reeves Shulstad. Notes: Quarterly Journal of the Music Library Association 73/4 (June 2017), pp. 717-720 [Full Text]

Shearon, Stephen. “The Sacred in Country Music.” The Oxford Handbook of Country Music. Ed. Travis Stimeling. Oxford: Oxford University Press, 2017, pp. 395-413 [Full Text]

Stack, Stephen. Review of The Music of the Stanley Brothers by Gary B. Reid. Urbana: University of Illinois Press, 2015 [ML 421 .S73 R45 2015Notes: Quarterly Journal of the Music Library Association 73/4 (June 2017), pp. 746-748 [Full Text]

Stimeling, Travis (Ph.D. 2007). “Introduction: Situating Country Music Studies.” The Oxford Handbook of Country Music. Ed. Travis Stimeling. Oxford: Oxford University Press, 2017, pp. 1-12 [Full Text]

_____. “Recording Practice in Country Music.” The Oxford Handbook of Country Music. Ed. Travis Stimeling. Oxford: Oxford University Press, 2017, pp. 141-155 [Full Text]

_____. Review of Country Comes to Town: The Music Industry and the Transformation of Nashville. By Jeremy Hill, 2016; Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport. By Jonathan R. Wynn, 2015; Beyond the Beat: Musicians Building Community in Nashville. By Daniel B. Cornfield, 2015. Notes: Quarterly Journal of the Music Library Association 73/3 (January 2017), pp. 518-525 [Full Text]

2016

Bentley, Christa (Ph.D. 2016). “Forging the singer-songwriter at the Los Angeles Troubadour.” Cambridge Companion to the Singer-Songwriter. Ed. by Katherine Williams and Justin A. Williams. Cambridge University Press, 2016, pp. 78-88 [ML3470 .C364 2016]

Bohlman, Andrea. “Penderecki, Krzysztof.” Oxford Bibliographies in Music. Ed. Bruce Gustafson. New York: Oxford University Press, February 25, 2016. Full Text

_____. “Solidarity, Song, and the Sound Document.” Journal of Musicology 33/2 (Spring 2016), pp. 232–69

Bonds, Mark Evan.  Japanese translation of Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255 .B68 2006] (Princeton University Press, 2006). Translated by Jo Kondo and Tokiko Inoue. Tokyo: Artes, 2015

Busman, Joshua K (Ph.D. 2015). “‘Yet to Come’ or ‘Still to Be Done?’: Evangelical Worship and the Power of ‘Prophetic’ Songs.” Congregational Music-Making and Community in a Mediated Age. Ed. Anna Nekola and Tom Wagner. Farnham: Ashgate Publishing Limited, 2015, pp. 199-214 [ML3001 .C69 2015]

Caldwell, John. Review of The Musica of Hermannus Contractus. Ed. and trans. by Leonard Ellinwood; rev. by John L. Synder. [MT5.5 .H47 2015] Music and Letters 97/3 (2016), pp. 496-500 [Full Text]

Campo-Bowen, Christopher. “Bohemian Rhapsodist: Antonín Dvořák’s Píseň bohatýrská and the Historiography of Czech Music.”19th-Century Music, 40/2 (Fall 2016): 159-181

Carter, Tim. “Beyond Drama: Monteverdi, Marino, and the Sixth Book of Madrigals (1614).” Journal of the American Musicological Society 69 (2016), pp. 1–46 Full Text 

________. “‘Every Friday evening music is performed in the Hall of Mirrors…’: Claudio Monteverdi and the Rituals of Courtly Exchange in Early Seventeenth-Century Italy.” Musical Text as Ritual Object. [ML3921 .M875 2015] Ed. by Hendrik Schulze. Turnhout (Belgium): Brepols, 2015, pp. 137–50

________.“Monteverdi and Some Problems of Biography.” Journal of Seventeenth-Century Music 18 (2012; published April 2016). Full Text

________. Understanding Italian Opera. [ML1733 .C37 2015] New York: Oxford University Press, 2015

Citron, Marcia J (Ph.D. 1971). Review of Women and the Nineteenth-Century Lied. Ed. by Aisling Kenny and Susan Wollenberg [ML1605 .W66 2015] Music & Letters 97.2 (2016), pp. 344-347 Full Text

Cochran, Keith (Ph.D. 1995) with Ann Shaffer. Review of Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray ed. by Mary Cyr. Notes: Quarterly Journal of the Music Library Association 73/2 (December 2016), pp. 331-334 [Full Text]

Cohen, Marci. Review of Three Songs, Three Singers, Three Nations by Greil Marcus [ML 3551.9 .M37 2015]. Notes: Quarterly Journal of the Music Library Association 73/2 (December 2016), pp. 273-275 [Full Text]

Ebright, Ryan (Ph.D. 2014). Review of Brokeback Mountain by Charles Wuorinen [DVD]. Notes: Quarterly Journal of the Music Library Association 72/4 (June 2016), pp. 796-797 Full Text

Figueroa, Michael A. “Aesthetics and Ambivalence: Dan Almagor and the Rock Aesthetic in Israeli Musical Theatre.” Ethnomusicology Forum 25.3  (2016), pp. 261-282 Full Text

________.“‘A Magical Substance Flows Into Me’: Recording the Limits of Public Musicology.” Musicology Now Full Text 

________. “Sound and Imagined Border Transgressions in Israel/Palestine.” AJS Perspectives, “The Sound Issue.” Spring 2016, pp. 44–45

Katz, Mark. “Phife Dawg, Tar Heel.” Indy Week March 30, 2016 Full Text 

________. “Work-Life Balance: How’s One out of Three?” Bulletin of the Society for American Music 42/1 (Winter 2016), pp. 8-10 Full Text

________. “Preserving Heritage, Fostering Change: Accidental Archives in Country Music and Hip-Hop.” (Co-authored with David VanderHamm.) Public Historian 37 (November 2015), pp. 32–46 Full Text

Laird, Paul (Ph.D. 1986). Review of Kiss Me Kate: a Musical Play, critical edition by David Charles Abell and Seann Alderking, 2014 [M1503 .P846 K5 2014]. Notes: Quarterly Journal of the Music Library Association 71/1 (2016), pp. 13-135. Full Text.

Laird, Paul (Ph.D. 1986) and William A. Everett, eds. Historical Dictionary of the Broadway Musical. 2nd ed. Lanham, MD: Rowman & Littlefield, 2016 [ML102 .M88 E94 2016]

McBride, Renée. Review of Johanna Beyer by Amy C. Beal [ML 410 .B58562 B43 2015]Notes: Quarterly Journal of the Music Library Association 73/2 (December 2016), pp. 310-313 [Full Text]

Mehrens, Christopher (Ph.D. 1998). Review of Berlioz on Music: Selected Criticism, 1824-1837, ed. Katherine Kolb, tran. Samuel N. Rosenberg [ML410 .B5 A5 2015] Music Reference Services Quarterly 19/1 (2016), pp. 84-85 Full Text

Ndaliko, Chérie Rivers. Necessary Noise: Music, Film, and Charitable Imperialism in the East of Congo. Oxford and NY: Oxford University Press, 2016 [ML350.5 .N32 2016]

Neal, Jocelyn. Country Music: A Cultural and Stylistic History. Oxford: Oxford University Press, 2013. [ML3524 .N42 2013]. Reviewed by Stephanie Vander Wel. Journal of the Society for American Music 10/2 (May 2016), pp. 219-226 Full Text

________. “Why ‘Ladies Love Country Boys’: Gender, Class, and Economics in Contemporary Country Music.” Country Boys and Redneck Women: New Essays in Gender and Country Music. [ML3524 .C615 2016] Ed. Kristine McCusker and Diane Pecknold. Jackson:  University of Mississippi Press, 2016, pp. 3-25

Proksch, Bryan (Ph.D 2006). Reviving Haydn: New Appreciations in the Twenty Century. Rochester, NY: University of Rochester Press, 2015.  [ML410 .H4 P89 2015] Reviewed by Balazs Mikusi.  Notes: Quarterly Journal of the Music Library Association 71/1 (2016) Full Text.

Scott, Amanda L (M.A. 2007) “Using Library of Congress Classification with Musicals and Operas on Film.” Music References Services Quarterly 19.3-4 (2016), pp. 179-190

Shadle, Douglas W (Ph.D. 2010). Orchestrating the Nation. New York, NY: Oxford University Press, 2016 [ML1255 .S53 2016].

Stacks, Stephen (Ph.D. current). Review of We Shall Overcome: Essays on a Great American Song [ML3561.W45 W4 2015], edited by Victor V. Bobetsky. Notes: Quarterly Journal of the Music Library Association 71/1 (2016), pp. 115-117 Full Text.

Stimeling, Travis (Ph.D. 2007). “Music, Television Advertising, and the Green Positioning of the Global Energy Industry.”Current Directions in Ecomusicology: Music, Culture, Nature. ed. Aaron S. Allen and Kevin Dawe. New York: Routledge, 2016 pp. 188-199 [ML3799.3 .C87 2016]

_____ (Ph.D. 2007). Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin’s Progressive Country Scene. Oxford: Oxford University Press, 2011. [ML3524 .S75 2011]. Reviewed by Stephanie Vender Wel. Journal of the Society for American Music 10/2 (May 2016), pp. 219-226 Full Text

VanderHamm, David. Review of The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture by Timothy D. Taylor [ML3790 .T395 2012] Journal of the Society for American Music 10/2 (May 2016), pp. 226-228 Full Text

Vandermeer, Philip. Review of Keywords in Sound, edited by David Novak and Matt Sakakeeny [QC225.15 .K499 2015]. Notes: Quarterly Journal of the Music Library Association 71/1 (2016), pp. 13-135 Full Text.

2015

Alden, Jane Elise (Ph.D. 1999) and David Fiala.”Dialogues de Johanne Sohier alias Fede.” Qui Musicam in se Habet : Studies in Honor of Alejandro Enrique Planchart, ed. Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman. Middleton, Wisconsin: American Institute of Musicology, 2015, pp. 257-284. [ML55 .P625 2015]

Bohlman, Andrea F. “Where I Cannot Roam, My Song Will Take Wing: Polish Cultural Promotion in Belarus, 1988.”  Music and International History in the Twentieth Century, ed. by Jessica C.E. Gienow-Hecht. New York: Berghahn, 2015, pp. 226-255. [ML3916 .M8725 2015]

Bohlman, Andrea F. and Florian Scheding. “Hanns Eisler on the Move: Tracing Mobility in the ‘Reisesonate.’” Music and Letters 96/1 (2015), pp. 77-98. Full Text

Brannon, Samuel. Review of Chanter sur le livre à la Renaissance: Les traités de contrepoint de Vicente Lusitano, ed. Philippe Canguilhem. Notes 71/4 (June 2015), pp. 716-719. Full Text.

Carter, Tim. “Every Friday evening music is performed in the Hall of Mirrors…’ Claudio Monteverdi and the Rituals of Courtly Exchange in Early Seventeenth-Century Italy,” in Music Text as Ritual Object, ed. by Hendrik Schulze. Turnhout: Brepols, 2015, pp. 137-150. [ML3921 .M875 2015]

____. Understanding Italian Opera. New York: Oxford University Press, 2015. [ML1733 .C37 2015]

____. Review of Claudio Monteverdi ‘letterato’ ou les métamorphoses du texte by Christophe Georis [ML410.M77 G467 2013] in Music and Letters 96/3, pp. 457-459. Full Text

Citron, Marcia J (Ph.D. 1971). “Affirmation and Resistance: Operatic Exoticism on Film” in Opera, Exoticism, and Visual Culture, ed. by Hyunseon Lee Naomi Segal. Bern: Peter Lang, 2015, pp. 205-221. [ML1700 .O6687 2015]

____ (Ph.D. 1971). Review of Mismatched Women: The Siren’s Song Through the Machine by Jennifer Fleeger [Ml3918 .P67 F54 2014 & e-book] in Music and Letters 96/2 (May 2015), pp. 306-309. Full Text.

Coluzzi, Seth J. “Speaking In (and Out of) Mode: Structure and Rhetoric in Marenzio’s O Mirtillo, Mirtillo anima mia (1595).” Music and Letters 37/2 (2015), pp. 253-274. Full Text

DiEugenio, Nicholas and Chi-Chen Wu. Robert Schumann – Complete Sonatas for Violin and Piano. Musica Omnia, 2014. Compact disc [CD-28,177]

Fauser, Annegret. The Politics of Musical Identity: Selected Essays. Burlington, Ashgate Publishing Company, 2015. [ML3916. F38 2015]

____. Sounds of War: Music in the United States during World War II. New York: Oxford University Press, 2013 [ML3917.U6 F38]. Reviewed by Louis Epstein in Notes 72/1 (September 2015), pp. 157-162.

Francis, Kimberly. “Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm” Women and Music: A Journal of Gender and Culture Volume 19 (2015), pp. 167-177. Full Text

Garcia, David F. “Cantan los negros su dolor: Arsenio Rodriguez y la presencia afro-latin @ en los Estados Unidos durante la epoca del movimiento Black Power.” Boletin Musica 40 (Mayo-Agosto 2015), pp. 12-20.

Guberman, Daniel A (Ph.D. 2012). “Elliott Carter as (Anti-)Serial Composer” American Music 33/1 (Spring 2015), pp. 68-88. Full Text

Jennings, Lauren McGuire. Senza Vestimenta: The Literary Tradition of Trecento Song. Farnham: Ashgate Publishing Limited, 2014 [ML290.2.J46 2014]. Reviewed by Karl Kugle in Early Music History Volume 34 (October 2015), pp. 229-235. Full Text

Katz, Mark. “The Persistence of Analogue” in Musical Listening in the Age of Mechanical Reproduction. Ed, Gianmario Borio. Aldershot, U.K. and Burlington, VT: Ashgate, 2015, pp. 275-287.

Levin, Alicia (Ph.D. 2009). “A Musician of the First Order: Frédéric Kalkbrenner’s Virtuoso Strategies for Paris” in Piano Culture in 19th-Century Paris, ed. by Massimiliano Sala. Turnhout: Brepols, 2015, pp. 137-149 [ML397 .P53 2015]

Laird, Paul (Ph.D. 1986) and Hsun Lin. Leonard Bernstein: A Research and Information Guide. 2nd ed. New York: Routledge, 2015 [ML134 .B512 L35 2015].

MacNeil, Anne. “Celestial Sirens of the Commedia dell’Arte Stage.” In Routledge Comanion to Commedia dell’Arte. Cambridge University Press, 2015. Edited by Olly Crick and Judith Chaffee. Full Text e-book

McClellan, Michael (Ph.D. 1994) and Simon Trezise. “The Revolution and Romanticism to 1848” in The Cambridge Companion to French Music, ed. by Simon Trezise. Cambridge: University of Cambridge Press, 2015, pp. 111-132. [ML270 .C36 2015]

Mehrens, Christopher (Ph.D. 1998). Review of Project Management for Musicians: Recordings, Concerts, Tours, Studios (2013) and More and Music Industry Forms: The 75 Most Important Documents for the Modern Musician (2014) by Jonathan Feist. Music Reference Services Quarterly 18/2 (2015), pp. 130-133. Full Text.

Nadas, John. “New Insights into the Florentine Transmission of the Songs of Antonio Zacara de Teramo.” Studi Musicali 6/2 (2015), pp. 197-214.

Nosow, Robert (Ph.D. 1992). “The Adventures of La belle se siet.” Qui Musicam in se Habet : Studies in Honor of Alejandro Enrique Planchart, ed. by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman. Middleton, Wisconsin: American Institute of Musicology, 2015, pp. 413-426. [ML55 .P625 2015]

Prizer, William F (Ph.D. 1974). “Popular Piety in Renaissance Mantua: The Lauda and Flagellant Confraternities.” Qui Musicam in se Habet : Studies in Honor of Alejandro Enrique Planchart, ed. by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman. Middleton, Wisconsin: American Institute of Musicology, 2015, pp.  183-221. [ML55 .P625 2015]

Proksch, Bryan (Ph.D. 2006). Review of The Organs of J. S. Bach: A Handbook by Christoph Wolff and Markus Zepf [ML576.3 .W6613 2012 & e-book] Fontes Artis Musicae 62.1, pp. 41-42. (January-March 2015)

_____ (Ph.D. 2006). Reviving Haydn: New Appreciations in the Twentieth Century. Rochester, NY: University of Rochester Press, 2015. [ML410 .H4 P89 2015]

_____ (Ph.D. 2006). Review of The Viennese Minor Key Symphony in the Age of Haydn and Mozart by Matthew Riley [ML1255 .R55 2014 & e-book] Fontes Artis Musicae 62/4 (October-December 2015), pp. 397-399.

Shadle, Douglas W (Ph.D. 2010). “How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy.” Journal of the Society for American Music 8/4 (November 2014), pp. 501-537. Full Text

Schlagel, Stephanie (Ph.D. 1996). Review of The Motet around 1500: On the Relationship of Imitation and Text Treatment?, ed. Thomas Schmidt-Beste [ML3275 .M66 2012] Notes 71/3 (March 2015), pp. 526-530. Full Text

Stimeling, Travis (Ph.D. 2007), ed. The Country Music Reader. New York: Oxford University Press, 2014 [ML3524 .C625 2014]

____ (Ph.D. 2007). “American Country Music.” Oxford Bibliographies Online, 29 June 2015. Full Text.

____ (Ph.D. 2007). Review of Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia by Fiona Ritchie and Douglas M. Orr, Jr. [ML3551.7 .A57 R57 2014] Notes 71/2 (December 2015), pp. 378-380.

Thompson, Abbey (M.A. 2006). Review of IPA Source (database). Notes  71/4 (June 2015), pp. 740-742. Full Text

Warfield, Scott (Ph.D. 1999). Review of “On My Way”: The Untold Story of Rouben Mamoulian, George Gershwin, and “Porgy and Bess” by Joseph Horowitz [ML410 .G288 H67 2013] Notes  71/4 (June 2015), pp. 697-699. Full Text.

Yang, Clara. Folding Time. CD. Albany Records, 2015. CD-28,788.

2014

Alamo, Juan. Marimjazzia. PARMA/Big Round Records, 2014.  Compact disc [CD-27,624].

Anderson, Allen.  Opportunity for Mischief. Albany Records, 2014. Compact disc [CD-28,366].

Bartig, Kevin (Ph.D. 2008). “Aaron Copland’s Soviet Diary (1960).” Notes 70/4 (March 2014): 575-596. Full Text.

_____. Review of Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips. Notes 70/4 (June 2014): 706-708. Full Text.

Bohlman, Andrea F. Review of “I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber [ML410.E37 W43 2012]. Notes 70/3 (March 2013): 473-475. Full Text.

Bonds, Mark Evan. Absolute Music : the History of an Idea. New York, NY: Oxford University Press, 2014 [ML3854 .B66 2014].

Boone, William (Ph.D. 2014). “On One Accord: Resounding the Past in the Present at One African American Church.” Christian Congregational Music: Performance, Identity, and Experience, ed. by Monique Ingalls, Carolyn Landau, and Tom Wagner. Farnham: Ashgate Publishing Limited, 2013 [ML3001.C512 2013]: 17-32.

Carter, T. & Goldthwaite, R.A. Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Cambridge: Harvard University Press, 2013 [ML410.P292 C43 2013]. Reviewed by Barbara Russano Hanning. Music and Letters 35/3 (2014): 454-546. Full Text.

Carter, Tim. Review of Show Boat: Performing Race in an American Musical by Todd Decker [ML410.K385 D43 2013 ] Journal of the American Musicological Society 67/2 (Summer 2014): 602-607. Full Text.

_____. Review of Anything Goes: A History of American Musical Theatre by Ethan Mordden [ML1711 .M732 2013] Music and Letters Volume 95, No. 4 (November 2014): 687-689. Full Text.

_____. Oklahoma!: The Making of an American Musical. New Haven: Yale University Press, 2007  [ML410.R6315 C37 2007]. Reviewed by Scott Warfield in Journal for the Society of American Music 8/4 (November 2014): 587-596. Full Text

Citron, Marcia J (Ph.D. 1971). Review of Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head [ML82 .H44 2013]. Music and Letters Volume 95, No. 2 (May 2014): 280-282. Full Text.

Coluzzi, Seth (Ph.D 2007). “”Tirsi mio, caro Tirsi” : Il pastor fido and the Roman madrigal” in Perspectives on Luca Marenzio’s secular music ed. by Mauro Calcagno. Turnhout, Belgium : Brepols, 2014 [ML410.M326 P47 2014]

Cusick, Suzanne (Ph.D. 1975). Forward. A Feminist Ethnomusicology: Writings on Music and Gender. By Ellen Koskoff. Urbana: University of Illinois Press, 2014 [ML3798.k67 2014]: ix-xi.

Ebright, Ryan (Ph.D. 2014). Review of DVD Moby-Dick by Jake Heggie in Notes 71/1 (September 2014): 140-141. Full Text.  

Fauser, Annegret. “Music for the Allies: Representation of Nationhood in the United States during World War II” in Crosscurrents: American and European Music in Interaction, 1900-2000 ed. by Felix Meyer, et al. Suffolk : The Boydell Press, 2014 [ML197.C855 2014]: 247-258.

_____. Review of Sounds of War: Music in the United States during World War II. New York: Oxford University Press, 2013 [ML3917.U6 F38 2013]. Reviewed by Danielle Fosler-Lussier in Music and Letters, Vol. 35, No. 3 (2014): 481-484. Full Text

_____. “The Scholar Behind the medal: Edward J. Dent (1876-1957) and the Politics of Music History.” Journal of the Royal Musical Association 139 (2014): 235-60.

_____. “On Copeland, Beyonce, and the Question of Musical Politics,” AMS Blog: Musicology Now, posted 30 October 2014. http:musicologynow.ams-net.org

_____ and Meredith Hindley. “Impertinent Questions with Annegret Fauser,” Humanities 35 (March/April 2014).  Full Text.

Flory, Andrew (Ph.D. 2006). “Tamla Motown in the UK: Transatlantic Reception of American Rhythm and Blues” in Sounds and the City: Popular Music, Place, and Globalization ed. by Brett Lashua et al. New York: Palgrave Macmillan, 2014 [ML3918.P67 S69 2014]: 113-127.

Gibbons, William (Ph.D. 2010). “Wandering Tonalities: Silence, Sound, and Morality in Shadow of the Colossus” in Music in Video Games: Studying Play, ed. by K.J. Donnelly, William Gibbons, and Neil Lerner. New York: Routledge, 2014 [ML3540.7 .M88 2014]: 122-137.

Haar, James. “The Madrigali a quattro, cinque et sei voice of 1588 : Marenzio’s “maniera assai differente dalla passata” in Perspectives on Luca Marenzio’s secular music ed. by Mauro Calcagno. Turnhout, Belgium : Brepols, 2014 [ML410.M326 P47 2014]: 31-50.

Hiam, Jonathan (Ph.D. 2005). “Reconstructing a “Shaken Culture”: The Re-emergence of Schoenberg’s Verein für musikalische Privataufführungen at the Black Mountain College Summer Music Institute of 1944,” in Crosscurrents: American and European Music in Interaction, 1900-2000 ed. by Felix Meyer, et al. Suffolk : The Boydell Press, 2014 [ML197.C855 2014]: 233-243.

_____. John Cage Unbound: A Living Archive. Reviewed by Joseph Auner in Journal of the American Musicological Society Vol.67, No.3 (Fall 2014). Full Text.

Jennings, Lauren M. Senza Vestimenta: The Literary Tradition of Trecento Song. Farnham: Ashgate Publishing Limited, 2014 [ML290.2.J46 2014]. Reviewed by Elena Abromov-van Rijk in Music and Letters 96/3 (2015): 449-450. Full Text

Katz, Mark.  “What Does it Mean to Study Popular Music? A Musicologist’s Perspective” Journal of Popular Music Studies 26/1 (2014): 22-27.

Laird, Paul (Ph.D. 1986). Review of The Leonard Bernstein Letters ed. by Nigel Simeone [ML410.B533 A4 2013]. American Music, Vol.32, No. 3 (2014): 359-362. Full Text.

Litwin, Stefan. El Once : Chile, 11. September 1973 : Reflexionen zum 40. Jahrestag des Militärputsches gegen Salvador Allende. Schiffweiler : gligg records, 2013. Compact disc [CD-27-527].

Maher, Erin (M.A. 2011). “Ballet, Race, and Agnes de Mille’s Black RitualMusical Quarterly, Vol. 9, No.3 (Fall 2014): 390-428.  Full Text. 

McManus, Laurie (Ph.D. 2011). “Feminist Revolutionary Music Criticism and Wagner Reception: The Case of Louise Otto” 19th-Century Music, Vol. 37, No. 3 (Spring 2014): 161-187. Full Text.

Neal, Jocelyn and Harry Watson, ed.  Southern Cultures, vol. 19-20 (2013-2014) [F206.S68]. Full Text.

Neff, Severine. “How Not to Hear Le Scre du Printemps?: Schoenberg’s Theories, Leibowitz’s Recording” Russian translation by Tariana Vereshchagina. Special Centenary Issue: “Anniversary of a Masterpiece: The Centenary of The Rite of Spring“. Edited by Sverlana Savenko. Nauchnyi Vestnik: The Quarterly Journal of the Moscow State Conservatory 35 (2014): 44-88.

______. “Point/Counterpoint: John Cage Studies with Arnold Schoenberg.” Special Issue in Honor of the 100th Birthday of John Cage. Ed. David W. Bernstein. Contemporary Music Review 33, Nos. 5-6 (2014): 451-83.

Nosow, Robert (Ph.D. 1992). Review of Early English Church Music (volume 55) in Notes 71/1 (September 2014): 154-157.  Full Text.

Oehler, Donald. The Clarinet Quintet. An online reference tool for string quartet with clarinet. 2014. Full Text.

Otten, Thomas. H. Leslie Adams, Piano Etudes, Part II. Albany Records, 2014. Compact disc [CD-28,023].

Predota, Georg (Ph.D. 2000). “Paul Wittgenstein’s Voice and Richard Strauss’s Music: Discovering the Musical Dialogue Between Composer and Performer” Fontes Artis Musicae 61/2 (April-June 2014): 107-137.  

Reali, Christopher (Ph.D. 2014). Review of Bob Dylan: The Original Mono Recordings, Columbia Records [CD-23,577] in American Music, Vol. 32, No.3 (2014): 371-374.  Full Text.

Robin, Will. “Shape Notes, Billings, and American Modernisms” NewMusicBox.org, New Music USA  (July 24, 2014).  Full Text.  

Shadle, Douglas W. (Ph.D. 2010). “How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy.” Journal of the Society for American Music 8/4 (November 2014): 501-537. Full Text

Stimeling, Travis D. (Ph.D. 2007). Review of Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty [ML3534 .P38 2012].  Notes 70/3 (March 2014): 452-455. Full Text.

Vandermeer, Philip. Review of Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry [ML394 .H457 2013]. Notes 71/1 (August 2014): 95-97. Full Text.

Warfield, Scott (Ph.D. 1999). Review of Lady in the Dark: Biography of a Musical by Bruce D. McClung [ML410.W395 M35 2007] in Journal of the Society of American Music 8/4 (November 2014): 587-596. Full Text

_____. (Ph.D. 1999). Review of Oklahoma!: The Making of an American Musical by Tim Carter [ML410.R6315 C37 2007 ] in Journal for the Society of American Music 8/4 (November 2014): 587-596. Full Text

_____. (Ph.D. 1999). Review of South Pacific: Paradise Rewritten by Jim Lovensheimer [ML2054 .L68 2010] in Journal of the Society of American Music 8/4 (November 2014): 587-596. Full Text

_____. (Ph.D.1999). Review of Wicked: A Musical Biography by Paul R. Laird [ML410.S42 L38 2011] in Journal of the Society of American Music 8/4 (November 2014): 587-596. Full Text

Weisert, Lee.  Wild Arc. New Focus Recordings, 2014.  Compact disc [CD-27,626].

Whittall, Arnold. Review of Crosscurrents: American and European Music in Interaction, 1900-2000. Ed. by Meyer et al. with articles by Jonathan Hiam (Ph.D. 2005) and Annegret Fauser [ML197.C855 2014]. Music and Letters, Vol. 35, No. 3 (2014): 469-471. Full Text.  

Yang, Clara. Grieg & Prokofiev. With Xiao-Dan Zheng (cello). Albany, NY: Albany Records, 2014. Compact disc [CD-27,625].    

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